The Meta-Monumental Garage Sale by Martha Rosler

In the past few years, I saw two exhibits at the Museum of Modern Art (MOMA) in New York City that had organizing themes. I’ve always recognized and enjoyed the visual aspect of the organizing work that I do. These installations brought art and organizing into a new light. While the two exhibits served different purposes, present in each were themes of collecting, repurposing, preserving, and letting go.

Martha Rosler’s The Meta-Monumental Garage Sale is on view through the end of this month. She says, “An object is always more than what it is: A chair is never only a chair, a spoon never merely a spoon. It travels through social worlds, and carries forward a history, belonging first to those who produced it, and later, to those who bought, used, altered, sold, traded, or discarded it. Value is ascribed to it, value is withdrawn; value is regenerated.”

Rosler’s interactive exhibit allows you to actually participate in the Garage Sale, by physically handling the objects, bargaining with the sellers, and purchasing someone else’s discards. Similar objects are grouped together. Signs such as “Haggle,” or “Everything Clean Nothing Guaranteed,” along with real time video monitors of people shopping, encourage you to engage in the active art of acquiring. As I walked around, I could feel the buzz of others enjoying the hunt.

Waste Not by Song Dong

The other exhibit, which I saw several years ago at MOMA, was Song Dong’s piece Waste Not. It was a poignant tribute and collaboration with the artist’s mother who would not part with any of her completely filled Beijing home. With his mother’s agreement, he turned her accumulated possessions into an art project. In her culture, the art of not wasting was considered “a prerequisite for survival.” In our culture, this type of saving without any dispossession would be thought of as hoarding behavior. The installation included the complete contents of her home, amassed over fifty years. Everyday items like pots, plastic bottles, and empty toothpaste tubes were organized and displayed for viewers to walk through and see. While you couldn’t touch the objects, as in the Garage Sale, you could get close to them without any barriers.

The things we collect, save, and let go of are integral to our human experience. With these two exhibits, someone else’s letting go enabled us to reexamine these objects as art, life, and new possibilities. What are your thoughts about acquiring, saving, or letting go?